Gov't Mule

Nitefall On The River Presents:

Gov't Mule

Galactic

Thu, August 17, 2017

Doors: 6:00 pm / Show: 7:00 pm

$38.00 - $42.00

This event is all ages

Gov't Mule
Gov't Mule
Rock torchbearers Gov't Mule are celebrating their 20th anniversary with an extensive tour and a series of dynamic live archival releases that highlight the group's versatility and epic, fearless live performances. No two Gov't Mule shows are alike, as the band draws on the more than 300 songs in their repertoire (and often a host of special guests) to create a unique experience each and every time. Their steadily expanding fan base knows that the Mule always has something special waiting for them. Expect the unexpected.

The deep chemistry and steely confidence shared by the quartet allow them to tackle any form of music and stamp it their own while remaining true to the spirit and intent of the original. This can of course be heard any time guitarist-singer Warren Haynes, drummer Matt Abts, bassist Jorgen Carlsson and multi-instrumentalist Danny Louis take the stage, but a series of new live archival releases really drives the point home.

The first of the archival releases, Stoned Side of the Mule: Volume 1, captures the Mule on Halloween 2009 ripping through seven impassioned Rolling Stone covers. This special Record Store Day Black Friday release (out November 28, 2014), available only at select independent record stores, will be available as a limited edition vinyl-only pressing, newly-edited and mastered, with the vinyl lacquers cut from the old Stax Records lathe in Memphis. The release also features special guests Jackie Greene and Steve Elson.

The second archival release, Dark Side of the Mule, will be released on December 9, 2014, and features 90 minutes of Pink Floyd covers recorded during the band's Halloween 2008 show at the Orpheum Theatre in Boston, MA. There will be three configurations including a standard version (1-CD), a deluxe version (3-CD/1-DVD package featuring the entire 3-hour performance) and as a double vinyl version. All configurations feature audio newly-mixed and mastered.

The third release, Dub Side of the Mule, will be released in early 2015 and shines a light on the band's New Year's Eve 2006 Beacon Theatre show. Newly-mixed and mastered, it includes a 45-minute set of reggae songs with special guest, reggae legend Toots Hibbert (founder of Toots & The Maytals). This will also be available in three configurations including a standard version (1-CD), a deluxe version (3-CD set of the entire 3-hour performance and one DVD of the Toots set) and a double vinyl version. The release also features special guests Gregg Allman & Friends and John Popper.

On January 2015, fans will finally be able to get their hands and ears on a very special release – the long-awaited SCO-MULE album. In late September of 1999, John Scofield teamed with Gov't Mule, then featuring original bass player the late Allen Woody, along with keyboardist Dr. Dan Matrazzo, in Georgia for two legendary shows of mind-bending live prowess. Both shows were recorded and included the Mule's first-ever all-instrumental sets. The band had begun preparing the music for eventual release while working on their third studio album Life Before Insanity. However, less than a year later, their beloved bassist Allen Woody passed away, setting the Mule on a different path. The idea of releasing SCO-MULE came up over the years, but the timing was never as right as it is now – helping to mark Gov't Mule's 20th Anniversary. While Scofield and the Mule did reunite briefly for a set at Warren Haynes' 25th Annual Christmas Jam in December 2013, fans have been clamoring for the return of the project ever since those lauded 1999 shows, and for more than a decade the Mule have been eager to share the music from these shows through an LP. Now for the first time, fans can experience the SCO-MULE magic first-hand in album form, newly mixed and mastered. The 3-hour all-instrumental album is a jazz romp laced with rock riffs and will be available as a 2-CD set as well as a double vinyl.

Warren Haynes' unparalleled ability to bring together different musicians into a cohesive whole or to pull off epic musical happenings is one of the many reasons why Haynes stands apart from the many great front men and guitarists who have graced the musical landscape. Combined with his guitar and vocal mastery, these skills have made him an in-demand presence and indispensible musical ally for many. This was shown most recently on Mule's most collaborative album to date, Shout!, their most recent (and 15th) studio album. The one-of-a-kind project is a double CD featuring two versions of every song – one with Haynes singing and the other featuring a host of guest vocalists, including Dave Matthews, Ben Harper and Elvis Costello.

"Making Shout! a double CD with guests was a cool way to mark our 20th anniversary," says Haynes. "Each song has it its own personality; it sounds like Gov't Mule but doesn't sound like anything we had ever done. The songs cover a lot of the influences that have made Gov't Mule what we are from the beginning. I think it's the most diverse record we've made. These new archival live releases just further that concept and allow us to highlight some of our influences as well as how far we've come since the first album."

Indeed, it would have been hard for those listening to Gov't Mule's self-titled debut, filled with thunderous power trio rumblings of Haynes, bassist Allen Woody and drummer Matt Abts, to envision them remaining true to this original vision, while also expanding to include reggae and horn-driven, backup singer-sweetened, classic rock covers by Pink Floyd and the Rolling Stones, but that's the tricky feat the band has pulled off, as illustrated by their upcoming live albums.

"I wouldn't recommend any of these releases as a starting point," says Haynes. "But I would strongly recommend all of them to anyone who already knows the band. They capture different sides of us and each also features us playing very different sets of our own music as well."

Gov't Mule was formed in 1994 when Haynes and bassist Allen Woody were playing in the Allman Brothers Band and talking about their shared passion for old school power trios.

"We were listening to a lot of Led Zeppelin, Cream and Free, caught up in the musical freedom they displayed," says Haynes.

Haynes called up drummer Matt Abts, with whom he had played in the Dickey Betts Band. The band recorded three increasingly ambitious studio albums and performed countless shows before Woody died in August, 2000. After briefly pausing to ponder their next move, Haynes and Abts began recording The Deep End, two CDs featuring guest bassists, ranging from the Who's John Entwistle to the Grateful Dead's Phil Lesh.

"Everything we've done collectively has led up to where we are now," says Haynes. "But those Deep End sessions, and the experience of playing with so many bassists and adapting to different sounds and approaches had a profound effect on Gov't Mule and what we've done since."

Louis, a longtime collaborator, became a full-time member of Gov't Mule in 2001, and the group has been a four-piece ever since. Bassist Carlsson has been with the group since 2008, solidifying the lineup.

"I think a lot of the music we're doing now is very similar to the music we were making in the earliest years with the obvious exception that we are no longer a trio," says Haynes. "In some ways we've come full circle and in other ways it only makes sense if you step back and connect the dots. And that seems right to me. You want to keep growing and you never want to be static, or done changing."
Galactic
Galactic
It's been more than 20 years since Ben Ellman, Robert Mercurio, Stanton Moore, Jeff Raines and Rich Vogel began exploring the seemingly limitless musical possibilities born out of their work together as Galactic. Since then, the seminal New Orleans band has consistently pushed artistic boundaries on the road and in the studio, approaching their music with open ears and drawing inspiration as much from the sounds bubbling up from their city's streets as they do from each other.

A key part of that creative spark comes from the teamwork of Mercurio and Ellman, whose ever-evolving production and arranging skills helped usher the band into a new phase of studio work beginning with the loop-centric "Ruckus" in 2007. A series of albums focused around specific concepts like Carnival followed, as did collaborations with guests hailing from worlds outside the one Galactic calls its own.

On "Into the Deep," the band members look within themselves instead, drawing inspiration from people and ideas that have long been close to their hearts - and, in turn, close to the development of their unique sound. Shot through with soul, funk, blues and rock, the result is an organic riff on elements of Galactic's past, filtered through the lens of where they're headed in 2015.

"I see this album as a kind of culmination of all of our collaborations or experiences, from [trombonist] Corey Henry to the people we met on the road, touring," says Mercurio, referencing Ellman's first full-time gig in New Orleans, which kicked off when Henry hired him into the Little Rascals Brass Band in 1989.

"The previous albums took us in the opposite direction," Mercurio says. "We collaborated with rappers that we had never dealt with and even on the New Orleans tracks, we didn't have working experience with most of those artists before the recordings."

In contrast, "Into the Deep" contributors like JJ Grey, David Shaw and Maggie Koerner spent significant time touring with Galactic. A few years ago, Mavis Staples sat in with the band, all of whom are longtime fans of the legendary singer's R&B-meets-gospel soul style. They caught up with Macy Gray when she performed a memorable concert at Tipitina's where Ellman says he could see from the outset "how much she cares about the music." And each of the players had also developed a deep appreciation for the Honorable South's Charm Taylor, whose contribution, "Right On" was written specifically to suit her vibe.

"Quint Davis [the producer of] Jazz Fest always has a couple people he books at the festival that aren't big names but that Quint knows are going to be super cool," says Ellman. "That's how we met Brushy One-String. We originally wanted to bring him in to do anything, just to see what would happen. But when we heard his song 'Chicken in the Corn,' we really wanted to do our version of it."

In the end, he joined them on the road for over a month, collaborating with the band onstage at each show.

For the instrumental tracks, Galactic mined the interests and tastes they've cultivated together for years in New Orleans. "Buck 77" was written via improvisation, a long-standing cornerstone of their live shows. The funky bass line and tumbling guitar part on "Long Live the Borgne," meanwhile, represents an updated, more composed take on some of the concepts that made early albums like "Coolin' Off" so strong.

As for the opener "Soogar Doosie," Ellman points out Galactic tends to record at least one track on each album that speaks to the band's collective love of brass band music.

"We write [those songs] with the idea of how awesome it would be to hear the Rebirth going down doing the street in a second line playing one of our songs. We try to think of a real second line song that would get people slapping stop signs and dancing on cars," he says.

The album, Ellman says "is all about people. It's these connections we've made over 20 years. They're people in our orbit that have come into our little world and affected us in some way."

It's also about how the individual musicians within Galactic have grown over time. When it comes to trying new approaches as players, producers, songwriters and arrangers, Ellman muses, "it's an evolution."
Venue Information:
Brenton Skating Plaza
520 Robert D. Ray Dr,
Des Moines, IA, 50309
http://brentonplaza.com/